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Jackson Pollock (1912-1956) - Number 18 - Guggenheim...

Jackson Pollock (1912-1956) - Number 18 - Guggenheim...

Original Jackson Pollock Poster (*) Reproduction of the work “Number 18” created by Pollock in 1950 and belonging to the collection of the Guggenheim Museum, New York. Made with Giclée technique (pigment ink print) Luxury edition on thick acid-free archival paper (250 g/m2). Published by Guggenheim. Authorized print with copyright by The Pollock-Krasner Foundation / Artists Right Society, New York. Large Format. Includes Certificate of Authenticity (COA) - Sheet dimensions: 74 x 70 cm - Motif dimensions: 61 x 61 cm - Year: 2021 - Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and is offered in perfect condition). - Provenance: Private collection. The work will be carefully handled and packaged in reinforced cardboard. Shipping will be tracked (UPS DPD DHL FedEx). The shipment will also include transportation insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer. (*) Jackson Pollock was, along with Mark Rothko and Willem de Kooning, a leading figure of American abstraction. Through his painting he sought to convey the pure energy of the creative act through an ambitious revolutionary technique: action painting and drip painting. Born in Wyoming in 1912, he studied at the Art Students League of New York with Thomas Hart Benton. Influenced by Mexican muralism of Siqueiros, Orozco and Rivera, as well as the surrealist automatism of André Masson and the structure of Picasso, Pollock soon abandoned figurative work to delve into the language of the subconscious. After World War II he began his famous drip period, laying large canvases on the floor to pour paint in an intuitive way. Backed by Peggy Guggenheim and critic Clement Greenberg, his works with rhythmic fields and undefined edges decisively influenced Color Field, conceptual art and global abstract expressionism. He thus became a cult figure and an institution of postwar art.

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