Tamara de Lempicka (1898-1980) (after) - "Jeune fille en vert, 1930"

- Tamara de Lempicka (after), giclée print on smooth matte paper (approx. 300gsm, refers to paper thickness/density). - Plate signed. - Stamp on verso. - Condition: excellent. Never framed, never exposed. - Borderless / full-bleed. - Ready to frame. The pic in which the item appears framed is a simulated recreation for illustrative purposes only, the frame and other decorative elements shown in it are not included in the lot you are bidding on. - Size: 42,3 x 56.5 cm. - Tamara de Lempicka’s Jeune fille en vert (1930), also known as Young Woman in Green or Jeune fille aux gants, is one of the defining images of her mature Art Deco style. The sitter dominates the composition in an intense emerald-green dress whose sharply folded fabric seems almost sculpted, contrasted with immaculate white gloves and a broad-brimmed hat. Lempicka combines the geometric simplification of Cubism with the smooth modelling and monumental presence of Renaissance and Neoclassical portraiture, transforming the fashionable modern woman into an icon of confidence, elegance and independence. The dramatic close-up viewpoint, cropped forms and metallic clarity give the image an unmistakably cinematic quality, while the vivid green, pale skin and red lips create one of the most memorable colour harmonies in her work. The painting belongs to the celebrated interwar period in which Lempicka developed the sleek, sophisticated visual language that made her synonymous with Parisian Art Deco and the cosmopolitan glamour of the 1920s and 1930s. With its striking palette and highly graphic construction, Jeune fille en vert has an exceptional decorative presence. The saturated greens are particularly effective against black, charcoal, deep blue, cream, taupe or warm neutral walls, while a black lacquer, polished metal or elegant gold frame can emphasise either its modernity or its luxurious Art Deco character. It works naturally in sophisticated living rooms, bedrooms, dressing rooms, offices, boutiques and contemporary interiors furnished with velvet, brass, chrome, marble or lacquered pieces, but can equally create a dramatic contrast in minimalist spaces. Its combination of fashion, femininity and architectural geometry also makes it an attractive gift for those interested in Art Deco, vintage fashion, portraiture and twentieth-century design. Lempicka’s instantly recognisable aesthetic occupies a fascinating position between the Parisian avant-garde, luxury fashion and modern visual culture, making this composition particularly appealing to those whose interests extend from Picasso, Modigliani, Miró and Dalí to Warhol, Basquiat, Haring, Hockney, Banksy, Shepard Fairey and Kaws. Its sophisticated glamour also connects naturally with the worlds of Cartier, Rolex, Patek Philippe, Chanel, Dior, Hermès and Gucci, while the broader contemporary collecting landscape may include icons such as Lego, Star Wars and Pokémon. More than a fashionable portrait, Jeune fille en vert remains an emblem of the confident modern woman and one of Lempicka’s most powerful demonstrations of how portraiture, fashion and Art Deco geometry could be fused into a single unforgettable image.

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