Tijs Dragtsma (1992) - A Cluster Held in Red

A single raspberry hangs in a field of nothing, its small crown of leaves lifted as if caught mid breath. There is no table beneath it, no hand holding it, no context at all. Only the fruit, alone, suspended in the deep red glass that holds it. Light falls from one side only. Each small round bead of the fruit catches a tiny crescent of brightness, then gives way to shadow on the other side, the way ripeness always carries its own quiet decline inside it. Fine hairs along the outline catch the light first, a soft static around a solid, private darkness. Red is the colour of the fruit itself, its flesh, its ripeness, the warmth just under the skin. Here it becomes the colour of the whole room the work hangs in, so the fruit is not simply shown in red, it is held by it, the way a single sensation can colour an entire moment. Nothing here was painted or printed on. The image exists because the surface was taken away in a field of fine scratches, worked into deep red coloured mirror glass until the raspberry stood out of the red. It is monumental from across the room and, up close, resolves into a field of individual marks, each one part of a larger, quieter pattern. The glass is still a mirror. Around the fruit and between the marks, the room folds back, the walls, the light fixtures, whoever is standing in front of it. The viewer is never only looking in, they are reflected inside the same red field the fruit occupies, briefly part of the same held moment. Light does not create this image. It sharpens it, deepens the contrast, lets the crescents on each small bead glow a little more. The picture itself never leaves, only the room around it keeps shifting and returning. A Cluster Held in Red continues the Art on Mirror series by Tijs Dragtsma, in which scratched imagery is set into coloured mirror glass and the viewer becomes part of the work. A visual language where damage is not destruction, but structure, and where the mirror turns looking into taking part. "One small fruit, held whole in red, asking nothing but to be seen." About Art on Mirror – Red Art on Mirror is a body of work in which the image is scratched into coloured mirror glass, and the world in front of the work becomes part of it. Every line is cut into a deep red mirrored surface of acrylic glass. The scratches are always there, bright against the colour, while the surface around them keeps reflecting the room, the daylight and the person looking. From a distance the image reads clear and complete, a pale figure held in a field of red. Step closer and the work opens into a delicate web of individual marks, fine and deliberate, each one essential to the whole. Behind and between them the mirror does what a mirror does. It carries the room and the viewer into the composition, so the surroundings in the work change with the place where it hangs, while the image itself stays firmly in place. Light does not create the image. It sharpens it. The red ground absorbs and reflects, the scratched lines catch and hold, and under a focused spotlight the contrast deepens until the figure takes on a sculptural, almost luminous quality. In softer light the colour comes forward and the work settles into a quieter register, without ever losing its subject. Red is the colour of blood, of fire and of everything we cannot stay calm about. That is the emotional ground every work in this series is set against, and the subjects are chosen to belong to it. Art on Mirror continues the scratched imagery of Art with Scratch by Tijs Dragtsma on a new ground. Where the black works draw their power from absence, these draw it from reflection. The viewer is no longer only looking at the work. The viewer is in it. About the Artist My name is Tijs Dragtsma, founder of TD Fine Art Studio. As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together. My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create. Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence. I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time. TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

Schätzpreis:€3,500

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