Tijs Dragtsma (1992) - Marilyn in Flashbulb Light

Marilyn in Flashbulb Light opens on a laugh thrown back into the dark, caught at the exact instant a camera flash detonates behind her like a small, private sun. The flash becomes a star of raw white light, its points scratched into the acrylic glass as a field of fine scratches that seem to still be exploding. Out of that same light, her face and hair gather into brightness, every curl and curve of her smile held in marks that catch and release the eye. Her shoulders and the fur stole sink back into shadow, a dark silhouette the light cannot fully claim. That is the quiet center of the work: the woman the world photographed endlessly reduced here to a shape of controlled surface damage, glowing where the flash finds her and disappearing into pure black where it does not. No paint. No print. No ink. The image is scratched into the surface of the acrylic glass, built by removal rather than addition. From across a room the portrait reads as one dramatic burst, Marilyn's laugh and the flash fused into a single gesture of light. Step closer and that certainty dissolves into a field of individual marks, each one small and deliberate, none of them alone resembling a face or a flashbulb. The image is always present, in direct light or none, but light sharpens it: the white deepens, the contrast opens, and the laugh seems to lift a little further off the surface. There is a second subject here beside the star herself, which is the flash, the mechanism of being seen that made her famous and consumed her in equal measure. Her joy and that burst of light are scratched into the same surface, inseparable, so the work holds both the warmth of the laugh and the cold flare of exposure it answers to. This piece continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. It reads differently from different angles, without ever losing the image. Light does not create the image. It sharpens it. "A visual language where damage is not destruction, but structure." About Art with Scratch Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness. From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole. Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality. What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence. In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive. Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light. About the Artist My name is Tijs Dragtsma, founder of TD Fine Art Studio. As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together. My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create. Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence. I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time. TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

Schätzpreis:€3,500

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